Für immer (originals)

by Morgen Wurde

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OCD045: Morgen Wurde / Für Immer (originals)

Morgen Wurde and his musical allies move on to score the unfathomable wonder of the Dasein. "Für Immer" is a further breakthrough to the core, emanating sounds which let dissolve all conceivable questions of man about life and death. Sounds that let all questions appear negligibly.
The immersive finds are channelled as hybrids of ambient/ space/ drone/ doom music with neoclassical and jazz noir elements... sometimes crossing paths with other messengers of transcendental sounds like Abul Mogard, bvdub, Fennesz, Gas, Rafael Anton Irisarri or Tim Hecker.
The elevating experience happens in Morgen Wurde's electroacoustic spaces, hosting singular virtuoso instrumentalists.
Creating the "Morgen Wurde" form of lyricism and haunting soundscapes, this collaborative exploration takes space music to new highs.
There are the stoically undulating sound masses, like the ambivalence of the awe-inspiring mysterious forces of nature, sometimes majestic, sometimes threatening. And there are the soloists, wandering through these sonic landscapes as masters of their art:
Doug Perry on the vibraphone and Tetsuroh Konishi on the trumpet
embody subtle sublimeness. The violinists bring in widely differing styles: David Strother skipping ardently on top of the seething sound masses, Georges-Emmanuel Schneider forming a mystic amalgam with the underlying soundscapes. Maria Estrella's time-stretched vocals nestling in solemn spheres mark the epic finale.

This is the third album in the series of Morgen Wurde's electroacoustic sound processing based albums, following “Brach Auf” (2016) and “Assassinous Act” (2017) which were released on Time Released Sound, Alameda. Besides, there are two albums “Letzten Endes” (2015) and “Als je zuvor” (2018) (both on Off Rec.) which were composed classically on the piano and then clothed with electronic sounds.


released April 10, 2020


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